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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    227 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,379 matching records exist across the two collections.

Results for "Teeth"12 records

Institutions answered newest-first by record, interleaved

Ear Ornament, Rows of Teeth by an unrecorded maker, The Metropolitan Museum of Art

Ear Ornament, Rows of Teeth

Unrecorded maker

8th–12th century · Gold

Cleared · Public Domain

live
The MetSimilar
The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night by an unrecorded maker, The Cleveland Museum of Art

The lion disturbed by mice who eat the food trapped in his aging teeth, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Necklace with jaguar teeth-shaped beads by Mixtec (Ñuu Savi) artist(s), The Metropolitan Museum of Art

Necklace with jaguar teeth-shaped beads

Mixtec (Ñuu Savi) artist(s)

1325–1521 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Head Fragment by an unrecorded maker, The Cleveland Museum of Art

Head Fragment

Unrecorded maker

c. 900–300 BCE · Jade, jadeite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cadmus Tilling the Field Where He Sawed the Dragon's Teeth by Antonio Fantuzzi, The Metropolitan Museum of Art

Cadmus Tilling the Field Where He Sawed the Dragon's Teeth

Antonio Fantuzzi (d. 1545)

1540–45 · Etching

Cleared · Public Domain

live
The MetSimilar
Male Figure (nkishi) by an unrecorded maker, The Cleveland Museum of Art

Male Figure (nkishi)

Unrecorded maker

late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers

Cleared · CC0

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Cleveland Museum of ArtSimilar
Transplanting of Teeth by Thomas Rowlandson, The Metropolitan Museum of Art

Transplanting of Teeth

Thomas Rowlandson (d. 1827)

1787 · Hand-colored etching and aquatint; early state

Cleared · Public Domain

live
The MetSimilar
Out Hunting for Teeth, Plate 12 by Francisco de Goya, The Cleveland Museum of Art

Out Hunting for Teeth, Plate 12

Francisco de Goya (d. 1828)

1799 (printed c. 1855) · Print, etching and aquatint

Cleared · CC0

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Cleveland Museum of ArtSimilar
A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates by Thomas Rowlandson, The Metropolitan Museum of Art

A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates

Thomas Rowlandson (d. 1827)

February 26, 1811 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Lidded Bowl with Iguana by an unrecorded maker, The Cleveland Museum of Art

Lidded Bowl with Iguana

Unrecorded maker

c. 600–1100 (Thermoluminescence date, 995–1395) · Ceramic, ceramic, slip

Cleared · CC0

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Cleveland Museum of ArtSimilar
A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates by Thomas Rowlandson, The Metropolitan Museum of Art

A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates

Thomas Rowlandson (d. 1827)

1811 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Wolf-Head Barge Fixture by an unrecorded maker, The Cleveland Museum of Art

Wolf-Head Barge Fixture

Unrecorded maker

1–100 CE · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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