![[Group of Native American Men, Telegraph Poles in Background] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP115228.jpg)
[Group of Native American Men, Telegraph Poles in Background]
Unknown
1880s–90s · Albumen silver print from glass negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
396 ms. The Metropolitan Museum of Art, Collection API (Open Access)
257 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Group of Native American Men, Telegraph Poles in Background] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP115228.jpg)
[Group of Native American Men, Telegraph Poles in Background]
Unknown
1880s–90s · Albumen silver print from glass negative
Cleared · Public Domain
live
Telegraph Poles
Clarence H. White (d. 1925)
1898 · Photograph, photogravure
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church Street, Corner of Franklin Street, New York, Looking North, 1861, from Valentine's Manual
Sarony, Major & Knapp (d. 1867)
1862 · Lithograph with tint stone
In copyright
live
Camera Work: Telegraph Poles
Clarence H. White (d. 1925)
1903 · Bound Volume, photogravure
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lace panel with decorative motifs of railroad trains, telegraph poles, electric lights and hot air balloons
Unrecorded maker
ca. 1900 · Cotton, machine made lace
In copyright
live
Thirty-Six Views of the Eiffel Tower: From the Quai de Javel (Switchman's Shanty)
Henri Rivière (d. 1951)
1902 · Print, color lithograph
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles
Ursula Fookes (d. 1991)
ca. 1930 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles
Ursula Fookes (d. 1991)
ca. 1930 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles (trial proof 1 of 5) in blues & greens
Ursula Fookes (d. 1991)
ca. 1930 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles (trial proof 2 of 5) in green & sepia
Ursula Fookes (d. 1991)
ca. 1930 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles (trial proof 3 of 5) in sepia
Ursula Fookes (d. 1991)
ca. 1930 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poplar Trees and Telegraph Poles (trial proof 4 of 5) in blue & brown the road is flipped right to left
Ursula Fookes (d. 1991)
ca. 1930 · Color linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.