
Enigmes Joyeuses pour les Bons Esprits, Plate 2
Jan van Haelbeeck (d. 1635)
ca. 1615 · Copper engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
530 ms. The Metropolitan Museum of Art, Collection API (Open Access)
349 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 34 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Enigmes Joyeuses pour les Bons Esprits, Plate 2
Jan van Haelbeeck (d. 1635)
ca. 1615 · Copper engraving
Cleared · Public Domain
live
Enigmes Joyeuses pour les Bons Esprits, Plate 6
Jan van Haelbeeck (d. 1635)
ca. 1615 · Copper engraving
Cleared · Public Domain
live
Arithmetic: a young woman standing at a table, holding a sheet with inscribed numbers in her right hand, in a decorated interior, from "The liberal arts" (Les arts liberaux)
Gilles Rousselet (d. 1686)
1633–35 · Engraving
Cleared · Public Domain
live
Table
Pierre Gole (d. 1684)
ca. 1660 · Oak and fruitwood veneered with tortoiseshell, stained and natural ivory, ebony, and other woods; gilt bronze
Cleared · Public Domain
live
Traveling table (table de voyage or table pliante)
Unrecorded maker
ca. 1700–1720 · Carved walnut; gilt-bronze mounts; steel hinges; linings of felt and leather
Cleared · Public Domain
live
Side table (commode en console)
Bernard II van Risenburgh (d. 1767)
ca. 1755–60 · Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marble table found in the Triclinium of the Priests, and lock of the door of the Cell of the Temple of Isis at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 10
Francesco Piranesi (d. 1810)
1806 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theseus Takes a Place at Acheolus' Table as he Waits for the River's Floods to Subside, from "Les Metamorphoses d'Ovide..."
Abraham Pietersz Hulk (d. 1830)
1807 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Telemachus at Calypso's Table, from Les Aventures de Télémaque par Fénelon avec Son Éloge par la Harpe, Paris Furne et Cie, Éditeurs, Rue Saint-André-Des-Arts, 45 MDCCCLXIV
Roze (d. 1900)
published 1864 · Etching and engraving with stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Theophanes at the Temple of Jupiter with Telemachus Before Him, from Les Aventures de Télémaque par Fénelon avec Son Éloge par la Harpe, Paris Furne et Cie, Éditeurs, Rue Saint-André-Des-Arts, 45 MDCCCLXIV
Roze (d. 1900)
published 1864 · Etching and engraving with stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Deux Pigeons
Edward Hopper (d. 1967)
1920 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.