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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    553 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    392 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Temple de Louksor. Vue générale des colo"7 records

Institutions answered newest-first by record, interleaved

Dandour, Vue Générale des Ruines by Félix Teynard, The Metropolitan Museum of Art

Dandour, Vue Générale des Ruines

Félix Teynard (d. 1892)

1851–52, printed 1853–54 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Erment (Hermonthis), Vue Générale des Ruines -Temple et Mammisi by Félix Teynard, The Metropolitan Museum of Art

Erment (Hermonthis), Vue Générale des Ruines -Temple et Mammisi

Félix Teynard (d. 1892)

1851–52, printed 1853–54 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Louksor (Thèbes), Vue Générale des Ruines by Félix Teynard, The Metropolitan Museum of Art

Louksor (Thèbes), Vue Générale des Ruines

Félix Teynard (d. 1892)

1851–52, printed 1853–54 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe générale des trois anciens Temples de la Ville de Pesto, du côte du midi, plate 6 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Dominico Montagu

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Louksor. Vue générale des colonnade du milieu

Félix Bonfils (d. 1885)

after 1867 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Louksor. Vue générale des colonnades du milieu

Félix Bonfils (d. 1885)

after 1867 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple de Louksor. Vue générale des colonnades du milieu

Félix Bonfils (d. 1885)

after 1867 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.