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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    315 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    613 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 294 matching records exist across the two collections.

Results for "Temple de Venus et de Rome, from "Les Pl"12 records

Institutions answered newest-first by record, interleaved

Les Singuliers et Nouveaux Portraicts... page 47 (verso) by Federico de Vinciolo, The Metropolitan Museum of Art

Les Singuliers et Nouveaux Portraicts... page 47 (verso)

Federico de Vinciolo (d. 1599)

1588 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Temple of the Sun and the Moon in Rome by Jean Barbault, The Metropolitan Museum of Art

Temple of the Sun and the Moon in Rome

Jean Barbault (d. 1762)

1750 · Black and white chalk

Cleared · Public Domain

live
The MetSimilar
Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore" by Jean Barbault, The Metropolitan Museum of Art

Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

Cleared · Public Domain

live
The MetSimilar
Cul-De-Lamp ad the End of the Volume, Page 91, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M. L'Abbé de La Chau, biliothécaire, secrétaire Interprète et Garde du Cabinet des Pierres gravées de S. A. S. M.gr le Duc d'Orléans. A Paris. de l'Imprimerie de Prault. Imprimeur du Roi quai Gêvres. et se trouve chez Pissot Libraire ru Hurepoix by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Cul-De-Lamp ad the End of the Volume, Page 91, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M. L'Abbé de La Chau, biliothécaire, secrétaire Interprète et Garde du Cabinet des Pierres gravées de S. A. S. M.gr le Duc d'Orléans. A Paris. de l'Imprimerie de Prault. Imprimeur du Roi quai Gêvres. et se trouve chez Pissot Libraire ru Hurepoix

Augustin de Saint-Aubin (d. 1807)

published in 1776 · Etching and engraving; second state of two (Bocher)

Cleared · Public Domain

live
The MetSimilar
Fleuron on the Title Page, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M. L'Abbé de La Chau, biliothécaire, secrétaire Interprète et Garde du Cabinet des Pierres gravées de S. A. S. M.gr le Duc d'Orléans. A Paris. de l'Imprimerie de Prault. Imprimeur du Roi quai Gêvres. et se trouve chez Pissot Libraire ru Hurepoix by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Fleuron on the Title Page, from Dissertation sur les attributs de Vénus qui a obtenu l'Accessit au judgement de l'Académie Royale des Inscriptions et Belles-Lettres à la séance ublique du mois de Novembre 1775. Par M. L'Abbé de La Chau, biliothécaire, secrétaire Interprète et Garde du Cabinet des Pierres gravées de S. A. S. M.gr le Duc d'Orléans. A Paris. de l'Imprimerie de Prault. Imprimeur du Roi quai Gêvres. et se trouve chez Pissot Libraire ru Hurepoix

Augustin de Saint-Aubin (d. 1807)

published in 1776 · Etching and engraving; third state of three (Bocher)

Cleared · Public Domain

live
The MetSimilar
Portrait of the Artist Johann Christian Reinhart by José de Madrazo, The Metropolitan Museum of Art

Portrait of the Artist Johann Christian Reinhart

José de Madrazo (d. 1859)

1811 · Etching; proof

Cleared · Public Domain

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The MetSimilar
Jérusalem. Mur oú pleurent les juifs. Grandes Assises du Temple de Salomon by Louis de Clercq, The Metropolitan Museum of Art

Jérusalem. Mur oú pleurent les juifs. Grandes Assises du Temple de Salomon

Louis de Clercq (d. 1901)

1860 or later · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pyramus and Thisbe, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi

Nicolas de Launay (d. 1792)

1767 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette page 215 Venus surrounded by putti with Adonis laying in the grass with his dogs after him, from Les Amours de Psyché et de Cupidon Avec la Poème d'Adonis

Emmanuel Jean de Ghendt (d. 1815)

published in 1795 · Etching and engraving; third state of four (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Esneh. Les chapiteaux et le sommet des colonnes du temple

Louis de Clercq (d. 1901)

1860 · Albumen silver print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Memnonium. Les quatre colosses et partie antérieure du temple.

Louis de Clercq (d. 1901)

1860 · Albumen silver print from paper negative

In copyright

live
The MetSimilar

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