
Round Tray
Unrecorded maker
1615–1868 · Red and black lacquer; Negoro ware
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
241 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Round Tray
Unrecorded maker
1615–1868 · Red and black lacquer; Negoro ware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Obelisque dans la Jardein Mattei, Obelisque de la Place de St. Pierre, Colonne tirée des ruines du Temple de la Paix et élevé sur la Place de Ste. Marie Majeure, Obelisque sur la Fountaine de Place Navone, Obelisque etendu par terre dans la cour du Palais Barberini, Obelisque sur la Place du Peuple, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue des Restes du Temple de la Paix dans le Campo Vaccino, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceiling, Great Entablature and Cornice of the Temple of Victory at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple of Bellona, Elevation and Plan, at Kew
Sir William Chambers (d. 1796)
1763 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple of Eolus and Temple of Solitude at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple of Peace at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ceiling and other Ornaments in the Temple of the Sun at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temple of Apollo at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temple of Arethusa at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temple of Victory at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Various Plans of Buildings at Kew, Garden Seat, Mr. Kent's Garden Seat, Garden Seat, The Temple of Solitude, The Principal Entrance to the Flower Garden, The Temple of Eolus
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.