
The Temple of Dendur
Unrecorded maker
completed by 10 CE · Aeolian sandstone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
221 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,150 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Temple of Dendur
Unrecorded maker
completed by 10 CE · Aeolian sandstone
Cleared · Public Domain
live
The Temple of Fortune in Rome, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
16th century · Engraving
Cleared · Public Domain
live
A Reconstruction of the Aurelian Temple of the Sun (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink, brush and gray wash, traces of red chalk; incised
Cleared · Public Domain
live
Temple of the Sun and the Moon in Rome
Jean Barbault (d. 1762)
1750 · Black and white chalk
Cleared · Public Domain
live
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)
Christoffer Wilhelm Eckersberg (d. 1853)
ca. 1814–15 · Oil on canvas
Cleared · Public Domain
live
Eclipse of the Sun
W. & F. Langenheim (d. 1874)
1854 · Daguerreotype
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Travelers in Front of the Minerva Medica Temple in Rome
Jan van de Velde II (d. 1641)
1613–41 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
God Creating the Sun and Moon
Nicolas Chaperon (d. 1656)
1649 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Ceiling and other Ornaments in the Temple of the Sun at Kew
Sir William Chambers (d. 1796)
1763 · Pen and ink, brush and wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Baalbec, Ruins of the Temple of the Sun, Mount Lebanon in the Distance
John Pye, the younger (d. 1874)
April 4, 1849 · Etching and engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Baalbec, Ruins of the Temple of the Sun, Mount Lebanon in the Distance
John Pye, the younger (d. 1874)
April 4, 1849 · Etching and engraving on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.