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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    669 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Temples on the Isle of Tiber, from "Spec"6 records

Institutions answered newest-first by record, interleaved

Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae" by Etienne DuPérac, The Metropolitan Museum of Art

Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"

Etienne DuPérac (d. 1604)

1582 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae" by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla (d. 1599)

1582 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of part of the Ship of Travertine constructed and inserted in front of the substructures which supported the Temple of Aesculapius on the Tiber Island..., tome 4, tavola 15 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colonne Traiane, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

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