![The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ) by Sir John Everett Millais, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP835787.jpg)
The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais (d. 1896)
1864 · Wood engraving; proof
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
761 ms. The Metropolitan Museum of Art, Collection API (Open Access)
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 98 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ) by Sir John Everett Millais, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP835787.jpg)
The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais (d. 1896)
1864 · Wood engraving; proof
Cleared · Public Domain
live
Dalziels' Bible Gallery: Illustrations from the Old Testament
Dalziel Brothers (d. 1893)
1881 · Wood engraving on India paper, mounted on card
Cleared · Public Domain
live
And none knew why he fed them both with his own hands, illustration to "Quince"
Edwin Austin Abbey (d. 1911)
1888 · Pen and ink on cardboard
Cleared · Public Domain
live
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"
Harper's Weekly (d. 1916)
December 5, 1885 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ten Wood Engravings for the Old Testament
Fritz Eichenberg (d. 1990)
date not published · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Custom, Old Folk (from "Vesper," in "Good Words for 1862," p. 81)
John Dawson Watson (d. 1892)
February 1862 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Parable of the [Ten] Virgins (in "Good Words for 1863," opp. p. 81)
Sir John Everett Millais (d. 1896)
1863 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dalziels' Bible Gallery: Illustrations from the Old Testament
Dalziel Brothers (d. 1893)
1881 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Almshouse Where Evangeline Found Gabriel, for "Harper's Weekly"
Joseph Pennell (d. 1926)
October 28, 1882 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Songs for the Nursery: A Collection of Children's Poems, Old and New
Robert Ellice (d. 1900)
[1884] · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death of the Old Year (Tennyson's Poems, New York, 1903)
Sir John Everett Millais (d. 1896)
1866–1903 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York, a Series of Wood Engravings in Colour
Walter Prichard Eaton (d. 1957)
1915 · Illustrations: color wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.