
St. Jerome in the Wilderness (S. Hieronymus in Deserto), from "The Large Landscapes"
Johannes van Doetecum I (d. 1605)
ca. 1555–56 · Etching and engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
731 ms. The Metropolitan Museum of Art, Collection API (Open Access)
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 391 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Jerome in the Wilderness (S. Hieronymus in Deserto), from "The Large Landscapes"
Johannes van Doetecum I (d. 1605)
ca. 1555–56 · Etching and engraving
Cleared · Public Domain
live
A River Landscape with the Baptism of the Eunuch
Hendrick Hondius I (d. 1650)
ca. 1605–25 · Pen and brown ink, brown and blue wash
Cleared · Public Domain
live
Tenpōzan at the Mouth of the Aji River in Settsu Province (Sesshū Ajikawaguchi Tenpōzan), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai (d. 1849)
1827–30 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Tenpōzan at the Mouth of the Aji River in Settsu Province (Sesshū Ajikawaguchi Tenpōzan), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai (d. 1849)
1760–1849 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief from the North Wall of the Chapel of Ramesses I
Unrecorded maker
ca. 1299–1290 BCE · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Town at a River
Hendrick Hondius I (d. 1650)
1614 · Etching; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
River Landscape with a Two Men Talking at Right: Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I
James Basire, the elder (d. 1802)
1792–98 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 2
Sir Francis Seymour Haden (d. 1910)
1859 · Drypoint; trial proof a (Harrington); first state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Borne by the River
Sanford Biggers (d. 9999)
2017 · Antique quilt, quilt fragments, kimono fabric, gold leaf
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Seated I
Wangechi Mutu (d. 9999)
2019 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tukad Kad Sequence #04
Yee I-Lann (d. 9999)
2022 · Split bamboo pus weave with kayu obol black natural dye, matt sealant
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.