Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    447 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Terracotta head of a woman"11 records

Institutions answered newest-first by record, interleaved

Memorial head (nsodie) by an unrecorded maker, The Cleveland Museum of Art

Memorial head (nsodie)

Unrecorded maker

late 1600s–early 1700s · Sculpture, Terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Woman by an unrecorded maker, The Cleveland Museum of Art

Head of a Woman

Unrecorded maker

500–475 BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Christ and the Samaritan Woman at the Well by Giovanni della Robbia, The Cleveland Museum of Art

Christ and the Samaritan Woman at the Well

Giovanni della Robbia

c. 1500–1530 · Sculpture, polychromed terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman's Head with Crown by an unrecorded maker, The Cleveland Museum of Art

Woman's Head with Crown

Unrecorded maker

500s BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head by an unrecorded maker, The Cleveland Museum of Art

Head

Unrecorded maker

thermoluminescence date 20–620 CE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Figurine by an unrecorded maker, The Cleveland Museum of Art

Figurine

Unrecorded maker

300–100 BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Woman by an unrecorded maker, The Cleveland Museum of Art

Head of a Woman

Unrecorded maker

c. 1800 · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bust Pair: Head of a Man and Head of a Woman by an unrecorded maker, The Cleveland Museum of Art

Bust Pair: Head of a Man and Head of a Woman

Unrecorded maker

c. 1800 · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Woman by an unrecorded maker, The Cleveland Museum of Art

Head of a Woman

Unrecorded maker

1300s–1400s · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Weeping Woman by an unrecorded maker, The Cleveland Museum of Art

Head of a Weeping Woman

Unrecorded maker

1–200 CE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Woman by an unrecorded maker, The Cleveland Museum of Art

Head of a Woman

Unrecorded maker

400s BCE · Sculpture, terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.