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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    599 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 973 matching records exist across the two collections.

Results for "Terracotta neck-amphora (jar) of Panathe"12 records

Institutions answered newest-first by record, interleaved

Terracotta neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Unrecorded maker

ca. 550–540 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Group E, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Group E

ca. 540 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Medea Group, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Medea Group

ca. 520 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Diosphos Painter, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Diosphos Painter

ca. 500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Acheloös Painter, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Acheloös Painter

ca. 510–500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Group of New York GR 517, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Group of New York GR 517

early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Unrecorded maker

late 6th/early 5th centuries BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Unrecorded maker

510–500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Unrecorded maker

second quarter of the 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a neck-amphora (jar) by Phineus Painter, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Phineus Painter

530–510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Terracotta neck-amphora (jar)

Timiades Painter

570–550 BCE · Terracotta

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Terracotta neck-amphora (jar)

Pig Painter

ca. 490 BCE · Terracotta

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.