Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 868 matching records exist across the two collections.

Results for "Terracotta spiral amphora (jar)"9 records

Institutions answered newest-first by record, interleaved

Terracotta spiral amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta spiral amphora (jar)

Unrecorded maker

ca. 675–650 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by Amasis Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Amasis Painter

ca. 550 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Unrecorded maker

ca. 550–540 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Paris Painter, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Paris Painter

ca. 540 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by Acheloös Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Acheloös Painter

ca. 520–510 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta amphora (jar)

Unrecorded maker

6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by Syracuse Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Syracuse Painter

ca. 470–460 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (jar) by Group with Horizontal Ivy Leaves, The Metropolitan Museum of Art

Terracotta amphora (jar)

Group with Horizontal Ivy Leaves

ca. 275–250 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta amphora (storage jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta amphora (storage jar)

Unrecorded maker

1st century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.