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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

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    422 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 472 matching records exist across the two collections.

Results for "Text, Folio 5 (verso), from a Manuscript"12 records

Institutions answered newest-first by record, interleaved

Text, folio 5 (verso) from a Kammavacha: Buddhist ordination text by an unrecorded maker, The Cleveland Museum of Art

Text, folio 5 (verso) from a Kammavacha: Buddhist ordination text

Unrecorded maker

1800s · Manuscript, Leaf: lacquer and gilding on cloth

Cleared · CC0

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Cleveland Museum of ArtSimilar
Text, folio 5 (verso), from Brahman Rishabhadatta's speech, from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

Text, folio 5 (verso), from Brahman Rishabhadatta's speech, from a Kalpa-sutra

Unrecorded maker

c. 1475–1500 · Painting, gum tempera and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by Payag, The Cleveland Museum of Art

The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Payag

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso)

Unrecorded maker

1000–1100s · Painting, gum tempera and ink on palm leaf

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra by an unrecorded maker, The Cleveland Museum of Art

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra

Unrecorded maker

c. 1450 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Qur'an Manuscript Folio (verso); Text Page by an unrecorded maker, The Cleveland Museum of Art

Qur'an Manuscript Folio (verso); Text Page

Unrecorded maker

1500s · Manuscript, ink, gold, and colors on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Text, Folio 5 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) by an unrecorded maker, The Cleveland Museum of Art

Text, Folio 5 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Unrecorded maker

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) · Painting, gum tempera and ink on palm leaf

Cleared · CC0

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Cleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 106v, Text by Master of the Brussels Initials and Associates, The Cleveland Museum of Art

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 106v, Text

Master of the Brussels Initials and Associates

c. 1405 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 109v, Text by Master of the Brussels Initials and Associates, The Cleveland Museum of Art

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 109v, Text

Master of the Brussels Initials and Associates

c. 1405 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 151r, Text by Master of the Brussels Initials and Associates, The Cleveland Museum of Art

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 151r, Text

Master of the Brussels Initials and Associates

c. 1405 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 153r, Text by Master of the Brussels Initials and Associates, The Cleveland Museum of Art

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 153r, Text

Master of the Brussels Initials and Associates

c. 1405 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 200r, Text by Master of the Brussels Initials and Associates, The Cleveland Museum of Art

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 200r, Text

Master of the Brussels Initials and Associates

c. 1405 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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