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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    348 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    777 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 49 matching records exist across the two collections.

Results for "Textile Design, named "Pueblo", with Abs"12 records

Institutions answered newest-first by record, interleaved

Loom Width with Serrated Leaf Design by an unrecorded maker, The Metropolitan Museum of Art

Loom Width with Serrated Leaf Design

Unrecorded maker

ca. 1600–1625 · Silk, metal wrapped thread; lampas (kemha)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Salon with a Textile Wall Treatment called "Java", for the Villa Raczynski in Bregenz, Austria

Henry Penon (d. 1908)

1876 · Pen and ink, watercolor, heightened with gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design, named "Navajo", with Small Abstract Festoons

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design "Acoma", with Semi-Abstract Sparehead Motifs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design "Pima" with Semi-Abstract Flowers and Birds

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design "Pueblo" with Tassels and Semi-Abstract Rugs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design "Zuni" with Small Semi-Abstract Horse Motifs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with Abstract Figures Inspired on Patterns of the Inca Cultures

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design, named "Arapho", with Abstract Tribal Motifs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design, named "Inca", with a Grid of Small Abstract Tribal Motifs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design, named "Incan", with Semi-Abstract Tribal Feathers

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design, named "Pueblo", with Abstract Birds and Sunbursts

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.