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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    464 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 37,378 matching records exist across the two collections.

Results for "Textile with Blue and White Pattern"12 records

Institutions answered newest-first by record, interleaved

Textile with Blue and White Pattern by an unrecorded maker, The Metropolitan Museum of Art

Textile with Blue and White Pattern

Unrecorded maker

13th–14th century · Cotton, plain weave; block-printed, resist dyed

Cleared · Public Domain

live
The MetSimilar
Fragment with Repeated Square Pattern by an unrecorded maker, The Cleveland Museum of Art

Fragment with Repeated Square Pattern

Unrecorded maker

1500s–1600s · Lace, Bleached, dyed, and unbleached linen (est.): needle lace; filet/lacis (knotted ground and darned in two directions)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with a Pattern of Sunrises and a Central Blue and White Striped Band

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar
Border Fragment of a Shawl by an unrecorded maker, The Cleveland Museum of Art

Border Fragment of a Shawl

Unrecorded maker

early 1800s · Textile, wool: tapestry twill

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pattern with Cellular Ovals and Blue Ovals with White Designs, Separated by Decorative Leaves

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar
Fragment of a Border with Vines and Floral Motifs by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Border with Vines and Floral Motifs

Unrecorded maker

1600s · Lace, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction) and bobbin lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with a Blue-and-White Pattern of Lozenges with Rosettes

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar
Violet and Columbine by William Morris, The Cleveland Museum of Art

Violet and Columbine

William Morris (d. 1896)

1883 · Textile, jacquard loom woven weft-faced twill, double cloth; wool and mohair

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with a Blue, Black, Orange and White Checked Pattern

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar
Fragment with a Floral (tendril) Motif by an unrecorded maker, The Cleveland Museum of Art

Fragment with a Floral (tendril) Motif

Unrecorded maker

1500s–1600s · Lace, Bleached and blue dyed linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with a Blue, Red and Burdgundy Checked Pattern

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar
Violet and Columbine by William Morris, The Cleveland Museum of Art

Violet and Columbine

William Morris (d. 1896)

1883 · Textile, Wool and mohair: jacquard loom woven weft-faced twill, double cloth

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.