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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3273 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    583 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 54 matching records exist across the two collections.

Results for "Thames Ditton - With a Sail"12 records

Institutions answered newest-first by record, interleaved

Tower of  London by Wenceslaus Hollar, The Metropolitan Museum of Art

Tower of London

Wenceslaus Hollar (d. 1677)

1625–77 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
The Lovers' Walk, No. 1 by Sir Francis Seymour Haden, The Metropolitan Museum of Art

The Lovers' Walk, No. 1

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; trial proof a (Harrington); third state of five (Schneiderman)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Thames Ditton–With A Sail

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; first state of two (Harrington); third state of eight(Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From the Mitre

Sir Francis Seymour Haden (d. 1910)

1866 · Etching and drypoint; trial proof a (Harrington); first and only state (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Inn, Purfleet

Sir Francis Seymour Haden (d. 1910)

1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven(Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Royal Thames Yacht Club Schooner "Cambria," 199 Tons – James Ashbury, Esq., London and Brighton, Owner

Charles Richard Parsons (d. 1918)

1870 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Schooner Yacht Magic of the New York Yacht Club – Franklin Osgood Esq. Owner and Commander

Currier & Ives (d. 1907)

1870 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Essex Farm

Sir Francis Seymour Haden (d. 1910)

1874 · Etching; first (final) state (Harrington); fifth state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winchelsea Canal

Sir Francis Seymour Haden (d. 1910)

1877 · Etching and mezzotint; first state of two (Harrington); fourth state of six (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mouth of the Thames, after Turner, No. 1

Sir Francis Seymour Haden (d. 1910)

1896 · Etching with drypoint; first (final) state (Harrington); second state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Thames Barge Race: The Start

James McBey (d. 1959)

1936 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Thames Barge Race: The Sarah Winning

James McBey (d. 1959)

1937 · Etching

In copyright

live
The MetSimilar

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