Seated ballplayer
Ameca-Etzatlán artists
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
288 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
234 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 78 matching records exist across the two collections.
Results for "Thames Fishermen, No. 2"12 records
Institutions answered newest-first by record, interleaved
The Thames, or the Triumph of Navigation
James Barry (d. 1806)
1792–1801 · Etching with engraving; second state of five
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque Views on the River Thames, from its source in Gloucestershire to the Nore: with Observations on the Public Buildings and Other Works of Art in its Vicinity, 2 Vols.
Samuel Ireland (d. 1800)
1792 · Illustrations: etching, aquatint, engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque Views on the River Medway, from the Nore to the Vicinity of its Source in Sussex: with Observations on the Public Buildings and Other Works of Art in its Neighborhood
Samuel Ireland (d. 1800)
1793 · Illustrations: engraving, aquatint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Picturesque Tour Through Holland, Brabant, and Part of France made in the Autumn of 1789, 2 Vols.
Samuel Ireland (d. 1800)
1796 · Illustrations: aquatint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Opposite The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; first (final) state (Harrington); sixth state of seven (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; first state of three (Harrington); sixth state of eleven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven(Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; between trial proofs b and c (Harrington); third state of eleven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Inn, Purfleet
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; second state of three (Harrington); tenth state of eleven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thames Fishermen, No. 2
Sir Francis Seymour Haden (d. 1910)
1878 · Etching; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of the Thames, after Turner, No. 2
Sir Francis Seymour Haden (d. 1910)
1896 · Etching and mezzotint; first (final) state (Harrington); fourth state of five (Schniederman)
In copyright
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