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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    314 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 665 matching records exist across the two collections.

Results for "Thatched Roof Stone Cottage"12 records

Institutions answered newest-first by record, interleaved

Recluse washing his feet in a stream by Chen Guan, The Metropolitan Museum of Art

Recluse washing his feet in a stream

Chen Guan (d. 1639)

dated 1629 · Folding fan mounted as an album leaf; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Zü Cölln (Cologne), from "European Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Zü Cölln (Cologne), from "European Views"

Wenceslaus Hollar (d. 1677)

1643 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Cottage among Trees by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Cottage among Trees

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1650 · Pen and brown ink, brush and brown wash, on paper washed with brown

Cleared · Public Domain

live
The MetSimilar
On Coast of Sussex by Thomas Rowlandson, The Metropolitan Museum of Art

On Coast of Sussex

Thomas Rowlandson (d. 1827)

1784–85 · Etching; early state

Cleared · Public Domain

live
The MetSimilar
Wooded Scene With Figures at the Door of a Cottage by Thomas Rowlandson, The Metropolitan Museum of Art

Wooded Scene With Figures at the Door of a Cottage

Thomas Rowlandson (d. 1827)

1783–88 · Soft-ground etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Piece by John Slack, The Metropolitan Museum of Art

Piece

John Slack (d. 1875)

ca. 1825 · Cotton

Cleared · Public Domain

live
The MetSimilar
The Return Home by Edward Calvert, The Metropolitan Museum of Art

The Return Home

Edward Calvert (d. 1833)

1830 · Wood engraving; third state of three

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sunday in the Olden Time

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return from the Pasture

Frances Flora Bond Palmer (d. 1876)

c. 1857-1872 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate (part of a service)

Crown Derby (d. 9999)

19th century · Bone china

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bundalloch Clachan, Loch Longside, Durine, West Rossling

Robert Moyes Adam (d. 1967)

1929, printed 1960s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Thatched Roof Stone Cottage

Ernest Geldart (d. 1929)

late 19th–early 20th century · Pen and black ink over graphite

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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