Amitabha, the Buddha of the Western Pure Land (Sukhavati)
Unrecorded maker
ca. 1700 · Distemper with gold on cloth
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
762 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
279 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 648 matching records exist across the two collections.
Results for "The "Crowd" that "Scooped" the Pools"12 records
Institutions answered newest-first by record, interleaved
The Pit Door / La Porte du Parterre
Robert Dighton the Elder (d. 1814)
November 9, 1784 · Mezzotint
Cleared · Public Domain
liveThe MetSimilar
The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
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The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
The Corsican and His Bloodhounds at the Window of the Thuilleries Looking Over Paris
Thomas Rowlandson (d. 1827)
April 16, 1815 · Hand-colored etching
Cleared · Public Domain
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Crowd in a Park; page 31 from the "Images of Spain" album (F)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1812–20 · Brush, bistre and brown ink wash, traces of black chalk
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The "Crowd" that "Scooped" the Pools
Thomas B. Worth (d. 1917)
1878 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Darktown Bicycling -- Scooped de Pear and Sumfins Busted
Currier & Ives (d. 1907)
1897 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Crowd
Robert Demachy (d. 1936)
1910 · Oil print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Crowd at the Seashore
William James Glackens (d. 1938)
ca. 1910 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shanghai
Henri Cartier-Bresson (d. 2004)
1948, printed ca. 1960 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
National Museum of Art, Tokyo
Thomas Struth (d. 9999)
1999 · Chromogenic print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.