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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1004 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "The 44th Hill, Looking Towards Jugdalluc"11 records

Institutions answered newest-first by record, interleaved

View of the Roman Forum, looking toward the Palatine Hill, from "The Small book of Roman ruins and buildings" (Operum antiquorum romanorum) by Hieronymus Cock, The Metropolitan Museum of Art

View of the Roman Forum, looking toward the Palatine Hill, from "The Small book of Roman ruins and buildings" (Operum antiquorum romanorum)

Hieronymus Cock (d. 1570)

1562 · Etching

Cleared · Public Domain

live
The MetSimilar
A View near the Arco Scuro, looking towards the Villa Medici, at Rome by Francis Towne, The Metropolitan Museum of Art

A View near the Arco Scuro, looking towards the Villa Medici, at Rome

Francis Towne (d. 1816)

1785 · Watercolor over graphite with pen and brown ink

Cleared · Public Domain

live
The MetSimilar
View of London from Greenwich by Joseph Mallord William Turner, The Metropolitan Museum of Art

View of London from Greenwich

Joseph Mallord William Turner (d. 1851)

1825 · Watercolor and ink and traces of graphite

Cleared · Public Domain

live
The MetSimilar
The Hudson River Portfolio by William Guy Wall, The Metropolitan Museum of Art

The Hudson River Portfolio

William Guy Wall (d. 1864)

1821–25 · Aquatint printed in color with hand-coloring; first and second states

Cleared · Public Domain

live
The MetSimilar
New York from the Steeple of St. Paul's Church, Looking East, South, and West by Henry A. Papprill, The Metropolitan Museum of Art

New York from the Steeple of St. Paul's Church, Looking East, South, and West

Henry A. Papprill (d. 1896)

1849 · Color aquatint and etching; second state of three

Cleared · Public Domain

live
The MetSimilar
Staff with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Staff with Saint Anthony of Padua

Kongo artist

19th century · Brass, wood, iron

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: Pleading for Mercy

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hornby Castle, Yorkshire

William Radclyffe (d. 1855)

ca. 1822 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Narrows from Staten Island, New York

Edward Francis Finden (d. 1857)

1837 · Engraving, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From the Mitre

Sir Francis Seymour Haden (d. 1910)

1866 · Etching and drypoint; trial proof a (Harrington); first and only state (Schneiderman)

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.