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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1202 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 29,525 matching records exist across the two collections.

Results for "The Abduction of Helen, from a series of"12 records

Institutions answered newest-first by record, interleaved

The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center by Marco Dente, The Metropolitan Museum of Art

The Abduction of Helen; battle scene on shore with two men pulling Helen into a boat at center

Marco Dente (d. 1527)

ca. 1515–27, published by Rossi in 1649 · Engraving

Cleared · Public Domain

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The MetSimilar
The Abduction of Helen by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), The Metropolitan Museum of Art

The Abduction of Helen

Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (d. 1580)

mid-16th century · Pen and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk, on light blue paper.

Cleared · Public Domain

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The MetSimilar
The Abduction of a Sabine Women (view from behind) by Jan Muller, The Metropolitan Museum of Art

The Abduction of a Sabine Women (view from behind)

Jan Muller (d. 1628)

ca. 1598 · Engraving; New Holl.'s third state or later

Cleared · Public Domain

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The MetSimilar
Oval Watch Case with the Abduction of Helen of Troy (?), from a Series of Six Designs for Watch Cases by Antoine Jacquard, The Metropolitan Museum of Art

Oval Watch Case with the Abduction of Helen of Troy (?), from a Series of Six Designs for Watch Cases

Antoine Jacquard (d. 1630)

ca. 1610–15 · Blackwork and engraving

Cleared · Public Domain

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The MetSimilar
The Abduction of Helen from a set of The Story of Troy by Bernard Salomon, The Metropolitan Museum of Art

The Abduction of Helen from a set of The Story of Troy

Bernard Salomon (d. 1561)

ca. 1625 · Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment

Cleared · Public Domain

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The MetSimilar
Rocaille Cartouche with the Abduction of Helen of Troy, from "'Livre D'Ornemens Inventes & Dessines Par J. O. Meissonnier (...)" by Obelle, The Metropolitan Museum of Art

Rocaille Cartouche with the Abduction of Helen of Troy, from "'Livre D'Ornemens Inventes & Dessines Par J. O. Meissonnier (...)"

Obelle (d. 1799)

1734 · Etching, first edition

Cleared · Public Domain

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The MetSimilar
The Abduction of Deianira by William Hamilton, The Metropolitan Museum of Art

The Abduction of Deianira

William Hamilton (d. 1801)

1770–80 · Pen and black ink over graphite, with watercolor

Cleared · Public Domain

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The MetSimilar
Abduction of a Sabine by Giambologna, The Metropolitan Museum of Art

Abduction of a Sabine

Giambologna (d. 1608)

18th century · Bronze

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Abduction of Helen, from The Fall of Troy, plate 2

Pieter Jalhea Furnius (d. 1610)

ca. 1571 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of The Abduction of Helen, from a series of twenty-two plates depicting mythological subjects, plate 19

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Abduction of Helen, from a series of twenty-two plates depicting mythological subjects, plate 20

Jean Le Pautre (d. 1682)

17th century · Etching; first state of four (Préaud)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Abduction of Helen, from a series of twenty-two plates depicting mythological subjects, plate 20, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; third state of four (Préaud)

In copyright

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The MetSimilar

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