The Abduction of Helen
Jean Mignon (d. 1555)
1535–55 · Etching
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
680 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 104 matching records exist across the two collections.
Results for "The Abduction of Hippodamia"12 records
Institutions answered newest-first by record, interleaved
The Abduction of Helen
Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (d. 1580)
mid-16th century · Pen and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk, on light blue paper.
Cleared · Public Domain
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The Abduction of Dejanira
Annibale Fontana (d. 1587)
16th century · Bronze
Cleared · Public Domain
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The Abduction of Hippodamia
Unrecorded maker
late 16th century · Lead-glazed earthenware
Cleared · Public Domain
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The Abduction of Proserpina
Pieter Soutman (d. 1657)
ca. 1620–25 · Etching; second state of four (Hollstein)
Cleared · Public Domain
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The Abduction of Deianira
William Hamilton (d. 1801)
1770–80 · Pen and black ink over graphite, with watercolor
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wedding Feast of Pirithous and Hippodamia, from Johannes van Heemskerck's poem "Publii Ovidii Nasonis Minne-Kunst," probably the first edition of title, frontispiece and eleven plates
David Vinckboons (d. 1629)
1622–1627 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Europa
Pierre Paul Prud'hon (d. 1823)
ca. 1788 · Etching; first state of two
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Psyche
Henri-Charles Müller (d. 1846)
1817 · Stipple engraving with etching and line engraving; third state of three
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Psyche
Henri-Charles Müller (d. 1846)
January 1821 · Stipple engraving with line engraving and etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Psyche
Henri-Charles Müller (d. 1846)
1821 · Stipple engraving with line engraving and etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction
Pablo Picasso (d. 1973)
1955, printed 1961 · Etching
In copyright
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