Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1455 ms. The Metropolitan Museum of Art, Collection API (Open Access)
583 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 133 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
The Abduction of Helen
Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (d. 1580)
mid-16th century · Pen and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk, on light blue paper.
Cleared · Public Domain
live
The Abduction on a Unicorn
Albrecht Dürer (d. 1528)
1516 · Print, etching
Cleared · CC0
live
The Abduction of Proserpina
Pieter Soutman (d. 1657)
ca. 1620–25 · Etching; second state of four (Hollstein)
Cleared · Public Domain
live
The Abduction of Proserpina by Pluto (2nd version)
Friedrich Wilhelm Reuter (d. 1834)
1803 · Print, Pen lithograph
Cleared · CC0
live
Abduction of Proserpine
Unrecorded maker
possibly 17th century · Sardonyx
Cleared · Public Domain
live
Ceres pleading with Jove for the return of Prosperpina, from Ovid, "Metamorphoses," Book V
Thomas Carwitham (d. 1770)
1713–33 · Pen and black ink, brush and brown wash
Cleared · Public Domain
live
Rape of Proserpina
Doccia Porcelain Manufactory (d. 1896)
ca. 1750 · Hard-paste porcelain
Cleared · Public Domain
live
The Abduction of Deianira
William Hamilton (d. 1801)
1770–80 · Pen and black ink over graphite, with watercolor
Cleared · Public Domain
live
Amorini Celebrate the Rape of Proserpina
Francesco Rosaspina (d. 1841)
1805–12 · Engraving and etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Proserpina by Pluto
Raphael Sadeler II (d. 1632)
1604–1632 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large vase ornamented with the Abduction of Proserpina, from Vases monumentaux, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Abduction of Proserpina, from a series of twenty-two plates depicting mythological subjects, plate 2
Jean Le Pautre (d. 1682)
17th century · Etching; first state of four (Préaud)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.