The Abduction of a Sabine Woman
Andrea Andreani (d. 1610)
1584 · Print, chiaroscuro woodcut
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
306 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 3 matching records exist across the two collections.
Results for "The Abduction of the Sabine Women"3 records
Institutions answered newest-first by record, interleaved
The Abduction of the Sabine Women
Andrea Andreani (d. 1610)
1585 · Print, chiaroscuro woodcut (in three shades of brown and black)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Abduction of the Sabine Women
Johann Heinrich Schönfeld (d. 1684)
c. 1640 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.