Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    495 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    270 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "The Actor Bandō Hikosaburō II as a Komus"8 records

Institutions answered newest-first by record, interleaved

Bandō Hikosaburō II Dressed as a Komuso and Carrying the Flute and Hat by Ishikawa Toyonobu, The Metropolitan Museum of Art

Bandō Hikosaburō II Dressed as a Komuso and Carrying the Flute and Hat

Ishikawa Toyonobu (d. 1785)

1761 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Actor Bando Hikosaburo II Holding a Bow and Arrows by Torii Kiyomitsu, The Metropolitan Museum of Art

The Actor Bando Hikosaburo II Holding a Bow and Arrows

Torii Kiyomitsu (d. 1785)

1766 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Actor Bando Hikosaburo 2nd as an Oiran in a Gauze Kimono, Standing, Tying Her Obi by Torii Kiyomitsu, The Metropolitan Museum of Art

The Actor Bando Hikosaburo 2nd as an Oiran in a Gauze Kimono, Standing, Tying Her Obi

Torii Kiyomitsu (d. 1785)

ca. 1764 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Actor Bandō Hikosaburō II as a Komuso in the Role of Sōga no Gorō Tokimune by Torii Kiyomitsu, The Metropolitan Museum of Art

The Actor Bandō Hikosaburō II as a Komuso in the Role of Sōga no Gorō Tokimune

Torii Kiyomitsu (d. 1785)

ca. 1764 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Act III (Dai sandanme): Actors Bandō Hikosaburō V as Hayano Kanpei and Sawamura Tanosuke III as Koshimoto Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura) by Utagawa Kuniaki II, The Metropolitan Museum of Art

Act III (Dai sandanme): Actors Bandō Hikosaburō V as Hayano Kanpei and Sawamura Tanosuke III as Koshimoto Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura)

Utagawa Kuniaki II (d. 1888)

1862 (Bunkyū 2), 6th month · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Act VI (Dai rokudanme): Actors Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as His Wife Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura) by Utagawa Kuniaki II, The Metropolitan Museum of Art

Act VI (Dai rokudanme): Actors Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as His Wife Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura)

Utagawa Kuniaki II (d. 1888)

1862 (Bunkyū 2), 6th month · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Act VIII (Dai hachidanme): Actors Bandō Hikosaburō V as Honzō's Wife (Nyōbō) Tonase and Sawamura Tosshō II as His Daughter (Musume) Konami, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura) by Utagawa Kuniaki II, The Metropolitan Museum of Art

Act VIII (Dai hachidanme): Actors Bandō Hikosaburō V as Honzō's Wife (Nyōbō) Tonase and Sawamura Tosshō II as His Daughter (Musume) Konami, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura)

Utagawa Kuniaki II (d. 1888)

1862 (Bunkyū 2), 6th month · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album of Thirty-Two Triptychs of Polychrome Woodblock Prints by Various Artists

Toyohara Kunichika (d. 1900)

1883–86 · Album of thirty-two triptychs of woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.