
An Artist Travelling in Wales
Thomas Rowlandson (d. 1827)
February 10, 1799 · Hand-colored etching and aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
726 ms. The Metropolitan Museum of Art, Collection API (Open Access)
358 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

An Artist Travelling in Wales
Thomas Rowlandson (d. 1827)
February 10, 1799 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Chinese Portrait Painter
Miwa Zaiei (d. 1789)
18th century · Two-panel folding screen; ink, color, and gold on paper
Cleared · Public Domain
live
Slippers
Unrecorded maker
ca. 1825 · silk
Cleared · Public Domain
live
The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul
John La Farge (d. 1910)
1903 · Gouache, watercolor, and graphite on white wove paper
Cleared · Public Domain
live
The Gulf Stream
Winslow Homer (d. 1910)
1899; reworked by 1906 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Map of the Eastern part of the Province of New York; with part of New Jersey &c., from the London Magazine
Thomas Kitchin (d. 1784)
September 1756 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A New Map of Virginia, from the Best Authorities, from the London Magazine
Thomas Kitchin (d. 1784)
November 1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Sculpture of Angel at Sainte-Chapelle, Paris]
Auguste Mestral (d. 1884)
1853–1854 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Civil War Soldier
Charles Ethan Porter (d. 1923)
1879 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for 'City Activities with Subway'
Thomas Hart Benton (d. 1975)
1930 · Oil on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Clouds
Alexander Calder (d. 1976)
ca. 1939 · Metal, wood, string, and paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Side Chair "Synthesis 45" Office Furniture System
Ettore Sottsass (d. 2007)
1972 · Aluminum, steel, plastic, synthetic foam, synthetic fabric
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.