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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    422 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    467 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 2,072 matching records exist across the two collections.

Results for "The Adoration of the Shepherds, Surround"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Shepherds by Bartolo di Fredi, The Metropolitan Museum of Art

The Adoration of the Shepherds

Bartolo di Fredi (d. 1410)

1374 · Tempera on poplar, gold ground

Cleared · Public Domain

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The MetSimilar
Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity by Benvenuto di Giovanni, The Cleveland Museum of Art

Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity

Benvenuto di Giovanni

1471 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

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Cleveland Museum of ArtSimilar
Adoration of the Shepherds by an unrecorded maker, The Metropolitan Museum of Art

Adoration of the Shepherds

Unrecorded maker

ca. 1500 · Jasper and silver

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Workshop of the Master of the High Foreheads, The Metropolitan Museum of Art

The Adoration of the Shepherds

Workshop of the Master of the High Foreheads (d. 1600)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Adoration of the Shepherds

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by L'Ortolano (Giovanni Battista Benvenuti), The Metropolitan Museum of Art

The Adoration of the Shepherds

L'Ortolano (Giovanni Battista Benvenuti) (d. 1527)

late 1520s · Oil on canvas, transferred from wood

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Girolamo da Carpi (Girolamo Sellari), The Metropolitan Museum of Art

The Adoration of the Shepherds

Girolamo da Carpi (Girolamo Sellari) (d. 1556)

ca. 1535–40 · Oil on wood

Cleared · Public Domain

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The MetSimilar
The adoration of the shepherds by Diego de Astor, The Metropolitan Museum of Art

The adoration of the shepherds

Diego de Astor (d. 1620)

1605 · Engraving

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by El Greco (Domenikos Theotokopoulos), The Metropolitan Museum of Art

The Adoration of the Shepherds

El Greco (Domenikos Theotokopoulos) (d. 1614)

ca. 1605–10 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Studies for an Adoration of the Shepherds by Adriaen Brouwer, The Metropolitan Museum of Art

Studies for an Adoration of the Shepherds

Adriaen Brouwer (d. 1638)

early 17th century · Pen and brown ink, over black chalk; framing line in pen and brown ink, probably by a later hand

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Ercole Procaccini The Younger, The Metropolitan Museum of Art

The Adoration of the Shepherds

Ercole Procaccini The Younger (d. 1680)

17th century · Black chalk; counterproof

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by François Boucher, The Metropolitan Museum of Art

The Adoration of the Shepherds

François Boucher (d. 1770)

1770 · Gouache over black chalk

Cleared · Public Domain

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The MetSimilar

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