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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    442 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    420 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "The Age of Gold (Aetas aurea), plate 3 f"12 records

Institutions answered newest-first by record, interleaved

Serpent labret with articulated tongue by Mexica artist(s), The Metropolitan Museum of Art

Serpent labret with articulated tongue

Mexica artist(s)

1325–1521 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Parade Shield Depicting the Conversion of Saint Paul by an unrecorded maker, The Metropolitan Museum of Art

Parade Shield Depicting the Conversion of Saint Paul

Unrecorded maker

ca. 1570 · Steel, gold, silver

Cleared · Public Domain

live
The MetSimilar
Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

live
The MetSimilar
Watch by F. L. Meybom, The Metropolitan Museum of Art

Watch

F. L. Meybom (d. 1710)

ca. 1670–75 · Case: gold, blued steel, rock crystal, partly gilded silver, and diamonds; Dial: painted enamel and basse-taille enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Vase (vase gothique Fragonard) (one of a pair) by Sèvres Manufactory, The Metropolitan Museum of Art

Vase (vase gothique Fragonard) (one of a pair)

Sèvres Manufactory (d. 9999)

manufactured 1832, decorated 1844 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze

Cleared · Public Domain

live
The MetSimilar
Watch and chatelaine by Hippolyte Téterger, The Metropolitan Museum of Art

Watch and chatelaine

Hippolyte Téterger

ca. 1875–78 · Chatelaine: partly enameled gold and platinum set with diamonds; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Pendant with a Triton Riding a Unicorn-like Sea Creature by Reinhold Vasters, The Metropolitan Museum of Art

Pendant with a Triton Riding a Unicorn-like Sea Creature

Reinhold Vasters (d. 1909)

ca. 1870–95 · Baroque pearl mounted with enameled gold set with pearls, emeralds and rubies and with pendent pearls

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Age of Gold (Aetas aurea), plate 3 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta (d. 1630)

Published after 1606 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sopranino Clarinet in E-Flat

Unrecorded maker

1830–50 · Brass

In copyright

live
The MetSimilar

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