Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    356 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,875 matching records exist across the two collections.

Results for "The Agony in the Garden"12 records

Institutions answered newest-first by record, interleaved

The Agony in the Garden by an unrecorded maker, The Metropolitan Museum of Art

The Agony in the Garden

Unrecorded maker

ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
The Passion: The Agony in the Garden by Martin Schongauer, The Cleveland Museum of Art

The Passion: The Agony in the Garden

Martin Schongauer (d. 1491)

c. 1480 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Agony in the Garden by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

The Agony in the Garden

Raphael (Raffaello Sanzio or Santi) (d. 1520)

ca. 1504 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Agony in the Garden by Francesco Rosselli, The Cleveland Museum of Art

Agony in the Garden

Francesco Rosselli (d. 1513)

c.1490–1500 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Agony in the Garden by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

The Agony in the Garden

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper; fragments of framing outlines in brown ink along top, right, and bottom edges

Cleared · Public Domain

live
The MetSimilar
Hours of Queen Isabella the Catholic, Queen of Spain:  Fol. 57r, Agony in the Garden by Master of the First Prayerbook of Maximillian, The Cleveland Museum of Art

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 57r, Agony in the Garden

Master of the First Prayerbook of Maximillian (d. 1519)

c. 1500 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Agony in the Garden by Nicolas Poussin, The Metropolitan Museum of Art

The Agony in the Garden

Nicolas Poussin (d. 1665)

1626–27 · Oil on copper

Cleared · Public Domain

live
The MetSimilar
Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden by an unrecorded maker, The Cleveland Museum of Art

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden

Unrecorded maker

c. 1400 · Painting, tempera and gold on wood (oak)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Agony in the Garden by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Agony in the Garden

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1652 · Etching and drypoint; first of three states

Cleared · Public Domain

live
The MetSimilar
Full Page Miniature: The Agony in the Garden by Timoteo Viti, The Cleveland Museum of Art

Full Page Miniature: The Agony in the Garden

Timoteo Viti (d. 1523)

1490–1500 · Manuscript, tempera on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Agony in the Garden by Massimiliano Soldani, The Metropolitan Museum of Art

The Agony in the Garden

Massimiliano Soldani (d. 1740)

early 18th century · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Agony in the Garden by Hans Weiditz, The Cleveland Museum of Art

The Agony in the Garden

Hans Weiditz (d. 1536)

c. 1510–41 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.