Plate A. XIII, from "Deliciae Naturae Selectae"
Georg Wolfgang Knorr (d. 1761)
1751–67 · Hand-colored engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1916 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "The Alcove, Isleworth, part XIII, plate"12 records
Institutions answered newest-first by record, interleaved
The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40)
Joseph Mallord William Turner (d. 1851)
1812 · Etching only; before first state of four
Cleared · Public Domain
liveThe MetSimilar
The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40)
Joseph Mallord William Turner (d. 1851)
February 11, 1812 · Etching and mezzotint; third state of four
Cleared · Public Domain
liveThe MetSimilar
Inverary Castle and Town, Scotland (Liber Studiorum, part XIII)
Joseph Mallord William Turner (d. 1851)
1816 · Etching only; before first state of three
Cleared · Public Domain
liveThe MetSimilar
Inverary Castle and Town, Scotland, part XIII, plate 65 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1816 · Etching and mezzotint; second state of three
Cleared · Public Domain
liveThe MetSimilar
Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; third state of six (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching, aquatint and mezzotint; first state of three
Cleared · Public Domain
liveThe MetSimilar
Isis, part XIV, plate 68 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; fifth state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Isleworth (Liber Studiorum, part XIII, plate 63)
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; third state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
The Alcove, Isleworth, part XIII, plate 63 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; second state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Water Cress Gatherers ( (Liber Studiorum, part XIII)
Joseph Mallord William Turner (d. 1851)
1819 · Etching only; before first state of three
Cleared · Public Domain
liveThe MetSimilar
Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham, part XIII, plate 62 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; second state of three
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.