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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    216 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,324 matching records exist across the two collections.

Results for "The Ambassadors of the Italian Rulers Be"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Magi by Italian, Neapolitan Follower of Giotto, The Metropolitan Museum of Art

The Adoration of the Magi

Italian, Neapolitan Follower of Giotto

ca. 1340–43 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Theological Virtues: Faith, Charity, Hope by Italian (Umbrian) Painter, The Metropolitan Museum of Art

The Theological Virtues: Faith, Charity, Hope

Italian (Umbrian) Painter

1505 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The drunken Silenus with putti by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

The drunken Silenus with putti

Anonymous, Italian, 16th century (d. 1600)

ca. 1515–40 · Engraving

Cleared · Public Domain

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The MetSimilar
Portrait of a Man in Profile by Italian Painter, The Metropolitan Museum of Art

Portrait of a Man in Profile

Italian Painter

1530 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Candlestick with figures of caryatids and putti by Italian, The Metropolitan Museum of Art

Candlestick with figures of caryatids and putti

Italian

19th century · Copper alloy, with dark green to black patina.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three sculptures of naked men, two of who seem to be Hercules

Anonymous, Italian (d. 2050)

ca. 1530–1570 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Supper

Anonymous, Italian, 16th century (d. 1600)

16th century · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ambassadors of the Italian Rulers Before Margaret of Austria, from The Life of Margaret of Austria, plate 11

Antonio Tempesta (d. 1630)

1612 · Etching; first issue of two (Bartsch)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ambassadors of the Italian Rulers Before Margaret of Austria, plate 11 from "The Life of Margaret of Austria"

Antonio Tempesta (d. 1630)

1612 · Etching; first issue of two (Bartsch)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section

Anonymous, Italian (d. 2050)

1829 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section

Anonymous, Italian (d. 2050)

1829 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section

Anonymous, Italian (d. 2050)

1829 · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

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