The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; first state of two (Schneidermann); trial proof a (Harrington)
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
190 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,621 matching records exist across the two collections.
Results for "The Amstel, No. 1 (A Memorandum)"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiden Lane from No. 1 to No. 65
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amstelodamum, No. 1
Sir Francis Seymour Haden (d. 1910)
August 1863 · Etching; second state of two (Harrington); sixth state of six (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Amstel, No. 1 (A Memorandum)
Sir Francis Seymour Haden (d. 1910)
1873 · Etching; second state of two (Harrington); second state of three (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Amstel, No. II
Sir Francis Seymour Haden (d. 1910)
March 29, 1879 · Etching; first state of two (Harrington); second state of three (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 1
Charles Haslewood Shannon (d. 1937)
1889 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Study, No. 1
Rudolph Eickemeyer, Jr. (d. 1932)
1901 · Gelatin silver print
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blast, No. 1
Wyndham Lewis (d. 1957)
1914 · Letterpress with woodcuts and photographic reproductions
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Symphony No. 1, The Transcendental
Richard Pousette-Dart (d. 1992)
1941–42 · Oil on canvas
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 1
Irving Penn (d. 2009)
1947, printed February 27, 1947 · Gelatin silver print
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Naissance No. 1
Auguste Herbin (d. 1960)
1958 · Oil on canvas
In copyright
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