
Cuneiform tablet: private letter
Unrecorded maker
ca. 20th–19th century BCE · Clay
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
522 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 461 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cuneiform tablet: private letter
Unrecorded maker
ca. 20th–19th century BCE · Clay
Cleared · Public Domain
live
The Life of the Virgin
Adriaen Isenbrant (d. 1551)
after 1521 · Oil on wood
Cleared · Public Domain
live
Amusements in a Mansion
Unrecorded maker
mid-17th century · Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper
Cleared · Public Domain
live
The Amusements of Private Life
Louis Surugue (d. 1762)
1747 · Engraving; second state of two
Cleared · Public Domain
live
Life in Camp, Part 2: Home on Furlough
Winslow Homer (d. 1910)
1864 · Color lithograph
Cleared · Public Domain
live
Still Life with Apples and Pitcher
Camille Pissarro (d. 1903)
1872 · Oil on canvas
Cleared · Public Domain
live![[Still Life with Books] by William Notman, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP139567.jpg)
[Still Life with Books]
William Notman (d. 1891)
1870s–80s · Albumen silver print from glass negative
Cleared · Public Domain
live![Design for Trade Card [The Sun Life Assurance Society] by Walter Crane, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP801077.jpg)
Design for Trade Card [The Sun Life Assurance Society]
Walter Crane (d. 1915)
1880–89 · Pen and brown ink over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recollection of the Private Life of General Lafayette
Jules Cloquet (d. 1883)
1835 · Illustrations: engraving, woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pictures of Life and The Latchkey, from Frank Fairlegh; or, Scenes from the Life of a Private Pupil (frontispiece and title page vignette)
George Cruikshank (d. 1878)
1850 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Private of Life Guards Sharpshooters, Russia, from the Military series (T79) issued by the American Tobacco Company
American Tobacco Company
1910 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Still Life (The Tobacco Pouch)
Juan Gris (d. 1927)
Beaulieu (present-day Beaulieu-les-Loches), 1918 · Graphite on off-white laid paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.