Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    522 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 461 matching records exist across the two collections.

Results for "The Amusements of Private Life"12 records

Institutions answered newest-first by record, interleaved

Cuneiform tablet: private letter by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: private letter

Unrecorded maker

ca. 20th–19th century BCE · Clay

Cleared · Public Domain

live
The MetSimilar
The Life of the Virgin by Adriaen Isenbrant, The Metropolitan Museum of Art

The Life of the Virgin

Adriaen Isenbrant (d. 1551)

after 1521 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Amusements in a Mansion by an unrecorded maker, The Metropolitan Museum of Art

Amusements in a Mansion

Unrecorded maker

mid-17th century · Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
The Amusements of Private Life by Louis Surugue, The Metropolitan Museum of Art

The Amusements of Private Life

Louis Surugue (d. 1762)

1747 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Life in Camp, Part 2: Home on Furlough by Winslow Homer, The Metropolitan Museum of Art

Life in Camp, Part 2: Home on Furlough

Winslow Homer (d. 1910)

1864 · Color lithograph

Cleared · Public Domain

live
The MetSimilar
Still Life with Apples and Pitcher by Camille Pissarro, The Metropolitan Museum of Art

Still Life with Apples and Pitcher

Camille Pissarro (d. 1903)

1872 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[Still Life with Books] by William Notman, The Metropolitan Museum of Art

[Still Life with Books]

William Notman (d. 1891)

1870s–80s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Design for Trade Card [The Sun Life Assurance Society] by Walter Crane, The Metropolitan Museum of Art

Design for Trade Card [The Sun Life Assurance Society]

Walter Crane (d. 1915)

1880–89 · Pen and brown ink over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Recollection of the Private Life of General Lafayette

Jules Cloquet (d. 1883)

1835 · Illustrations: engraving, woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pictures of Life and The Latchkey, from Frank Fairlegh; or, Scenes from the Life of a Private Pupil (frontispiece and title page vignette)

George Cruikshank (d. 1878)

1850 · Etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Private of Life Guards Sharpshooters, Russia, from the Military series (T79) issued by the American Tobacco Company

American Tobacco Company

1910 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life (The Tobacco Pouch)

Juan Gris (d. 1927)

Beaulieu (present-day Beaulieu-les-Loches), 1918 · Graphite on off-white laid paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.