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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1660 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 2,029 matching records exist across the two collections.

Results for "The Angel Appearing to the Shepherds"12 records

Institutions answered newest-first by record, interleaved

The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching and drypoint; third state of three

Cleared · Public Domain

live
The MetSimilar
The Angel Appearing to the Shepherds by Rembrandt van Rijn, The Cleveland Museum of Art

The Angel Appearing to the Shepherds

Rembrandt van Rijn (d. 1669)

1634 · Print, etching, with drypoint, engraving and sulfur tint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching

Cleared · Public Domain

live
The MetSimilar
Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds by an unrecorded maker, The Cleveland Museum of Art

Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds

Unrecorded maker

c. 1470–1500 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching, burin, and drypoint; third state of three

Cleared · Public Domain

live
The MetSimilar
Three Cuttings from a Missal by an unrecorded maker, The Cleveland Museum of Art

Three Cuttings from a Missal

Unrecorded maker

c. 1470–1500 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Annunciation to the Shepherds by Jean Jacques Lagrenée, The Metropolitan Museum of Art

Annunciation to the Shepherds

Jean Jacques Lagrenée (d. 1821)

1775 · Pen and brown ink, brush and brown wash, heightened with white, on blue-washed paper

Cleared · Public Domain

live
The MetSimilar
Angel Appearing to Seated Shepherd by an unrecorded maker, The Metropolitan Museum of Art

Angel Appearing to Seated Shepherd

Unrecorded maker

18th century · Gouache on paper

Cleared · Public Domain

live
The MetSimilar
Angel Appearing to Sleeping Shepherd by an unrecorded maker, The Metropolitan Museum of Art

Angel Appearing to Sleeping Shepherd

Unrecorded maker

18th century · Gouache on paper

Cleared · Public Domain

live
The MetSimilar
The Angel Appearing to Zacharias by William Blake, The Metropolitan Museum of Art

The Angel Appearing to Zacharias

William Blake (d. 1827)

1799–1800 · Pen and black ink, tempera, and glue size on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An angel appearing to shepherds, from the 'Officium Romanum' (Venice, Hieronymous Scotus, 1544)

Giovanni Pietro Fontana (d. 1560)

1544 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Annunciation to the Shepherds

David Vinckboons (d. 1629)

1604 · Etching, drypoint, and engraving

In copyright

live
The MetSimilar

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