
Altar Angel (one of a pair)
Unrecorded maker
ca. 1275–1300 · Chesnut with traces of paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
592 ms. The Metropolitan Museum of Art, Collection API (Open Access)
368 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,483 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altar Angel (one of a pair)
Unrecorded maker
ca. 1275–1300 · Chesnut with traces of paint
Cleared · Public Domain
live
The Angel Gabriel
Masseo Civitali (d. 1541)
ca. 1493 · Painted and partially gilt terracotta
Cleared · Public Domain
live
Angel (one of a pair)
Unrecorded maker
late 15th century · Bronze, fire-gilt
Cleared · Public Domain
live
Angel (one of a pair)
Unrecorded maker
late 15th century · Bronze, fire-gilt
Cleared · Public Domain
live
The Angel Gabriel (one of a pair)
Unrecorded maker
1552 · Colored, stained, and enameled glass
Cleared · Public Domain
live
Angel (one of a pair)
Hendrik-Frans Verbruggen (d. 1724)
ca. 1690–1710 · Oak
Cleared · Public Domain
live
Angel (one of a pair)
Hendrik-Frans Verbruggen (d. 1724)
ca. 1690–1710 · Oak
Cleared · Public Domain
live
Kneeling angel (one of a pair)
Unrecorded maker
mid-18th century · Gilt wood (poplar?)
Cleared · Public Domain
live
Kneeling angel (one of a pair)
Unrecorded maker
mid-18th century · Gilt wood (poplar?)
Cleared · Public Domain
live
Pair of Pistols with Flintlocks a la moda
Gabriel de Algora (d. 1761)
ca. 1735–40 · Steel, wood (walnut), gold, silver, horn
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, Papier peint, "Les Iles", édité par René Gabriel, from "Papiers Peints et Tentures Modernes"
René Gabriel (d. 1950)
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Still from the film 'Enemigos' (1933) from the portfolio 'Homenaje a Gabriel Figueroa'
Gabriel Figueroa (d. 1997)
1990 · Silkscreen, photo serigraph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.