
Pair of window guards
Unrecorded maker
17th century · Wrought iron
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
371 ms. The Metropolitan Museum of Art, Collection API (Open Access)
590 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,483 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pair of window guards
Unrecorded maker
17th century · Wrought iron
Cleared · Public Domain
live
Shoulder Guards (<i>Sode</i>)
Unrecorded maker
17th century · Iron, silk, leather, gold, silver, lacquer, brass
Cleared · Public Domain
live
Three Forearm Guards for the Left Arm
Unrecorded maker
possibly 15th–17th century · Leather, shellac, gold, pigments
Cleared · Public Domain
live
The Angelic Child
Francesco Bartolozzi (d. 1815)
July 1, 1790 · Etching and stipple engraving; second state
Cleared · Public Domain
live
Divine Justice
James Barry (d. 1806)
1808 · Etching and engraving; final published state
Cleared · Public Domain
live
The Angelic Guards
James Barry (d. 1806)
1808 · Etching and engraving; fourth state of four
Cleared · Public Domain
live
Captain Burnsby of the Grenadier Guards
Roger Fenton (d. 1819)
1855 · Salted paper print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Angelic Guide
Wenceslaus Hollar (d. 1677)
ca. 1654 · Etching; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Lucerne, monument to the Swiss guards]
Adolphe Braun (d. 1877)
ca. 1865 · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Horse Guards
Sir David Young Cameron (d. 1945)
1899 · Etching; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guards
Lill Tschudi (d. 2004)
1936 · Linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Guards from "The Story of Lidice"
Hans Jelinek (d. 1992)
1943 · Wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.