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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    193 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,063 matching records exist across the two collections.

Results for "The Angelic Guide"12 records

Institutions answered newest-first by record, interleaved

Terret (Rein Guide) by an unrecorded maker, The Metropolitan Museum of Art

Terret (Rein Guide)

Unrecorded maker

1–100 · Copper alloy, champlevé enamel

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an  Antiphonary by Niccolò di ser Sozzo, The Metropolitan Museum of Art

Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary

Niccolò di ser Sozzo (d. 1363)

ca. 1340 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
The Angelic Child by Francesco Bartolozzi, The Metropolitan Museum of Art

The Angelic Child

Francesco Bartolozzi (d. 1815)

July 1, 1790 · Etching and stipple engraving; second state

Cleared · Public Domain

live
The MetSimilar
The Angelic Guards by James Barry, The Metropolitan Museum of Art

The Angelic Guards

James Barry (d. 1806)

1808 · Etching and engraving; fourth state of four

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Angelic Guide

Wenceslaus Hollar (d. 1677)

ca. 1654 · Etching; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Merchant's Guide to Success

Ruff & Drach (d. 1950)

1888 · Illustrations: wood engraving or photo engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Modern Builder's Guide

Alexander Hay (d. 1940)

mid-to late 19th century · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Best Guide to Boston

Ethel Reed (d. 1900)

1895 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Guide du Dessinateur de l'Industrie

Fleury Chavant (d. 19)

[after 1844] · Mixed-media: lithographs, aquatint, silkscreen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Upholstery and Drapery Guide...

Upholstery Trade Review Publishing Company (d. 1950)

1902

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christian Host from Mystical Images of War

Natalia Goncharova (d. 1962)

1914 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Guide (Éclaireur)

Hervé Télémaque (d. 2022)

1962 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.