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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    957 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    601 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 943 matching records exist across the two collections.

Results for "The Annunciation, Adoration of the Sheph"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Magi by Italian, Neapolitan Follower of Giotto, The Metropolitan Museum of Art

The Adoration of the Magi

Italian, Neapolitan Follower of Giotto

ca. 1340–43 · Tempera on wood, gold ground

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Bartolo di Fredi, The Metropolitan Museum of Art

The Adoration of the Shepherds

Bartolo di Fredi (d. 1410)

1374 · Tempera on poplar, gold ground

Cleared · Public Domain

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The MetSimilar
Panel with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Annunciation

Unrecorded maker

ca. 1390 · Pot-metal glass, colorless glass, and vitreous paint

Cleared · Public Domain

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The MetSimilar
Angel of the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Angel of the Annunciation

Unrecorded maker

1430–40 · Mud-wackestone with traces of polychromy

Cleared · Public Domain

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The MetSimilar
The Annunciation by Sassetta (Stefano di Giovanni), The Metropolitan Museum of Art

The Annunciation

Sassetta (Stefano di Giovanni) (d. 1450)

1437–44 · Tempera on wood, gold ground

Cleared · Public Domain

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The MetSimilar
Abner's Messenger before David; The Queen of Sheba Bringing Gifts to Solomon; The Annunciation by Master of the Saint Barbara Legend, The Metropolitan Museum of Art

Abner's Messenger before David; The Queen of Sheba Bringing Gifts to Solomon; The Annunciation

Master of the Saint Barbara Legend (d. 1499)

ca. 1480 · Oil on oak

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by Workshop of the Master of the High Foreheads, The Metropolitan Museum of Art

The Adoration of the Shepherds

Workshop of the Master of the High Foreheads (d. 1600)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Annunciation by Master of the Triptych of Louis XII, The Metropolitan Museum of Art

The Annunciation

Master of the Triptych of Louis XII (d. 1525)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Adoration of the Shepherds by L'Ortolano (Giovanni Battista Benvenuti), The Metropolitan Museum of Art

The Adoration of the Shepherds

L'Ortolano (Giovanni Battista Benvenuti) (d. 1527)

late 1520s · Oil on canvas, transferred from wood

Cleared · Public Domain

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The MetSimilar
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings by Anonymous Workshop, British, The Metropolitan Museum of Art

The Annunciation, Adoration of the Shepherds, and Adoration of the Kings

Anonymous Workshop, British

early 17th century · Silk, wool, silver-gilt thread (18-22 warps per inch, 7-8 per cm.)

Cleared · Public Domain

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The MetSimilar
The Sense of Sight by Master of the Annunciation to the Shepherds, The Metropolitan Museum of Art

The Sense of Sight

Master of the Annunciation to the Shepherds (d. 1645)

1649 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation. by Reinhold Vasters, The Metropolitan Museum of Art

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.

Reinhold Vasters (d. 1909)

second half 16th century (panels); ca. 1865–90 (frame) · Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.

Cleared · Public Domain

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The MetSimilar

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