
The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
957 ms. The Metropolitan Museum of Art, Collection API (Open Access)
601 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 943 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43 · Tempera on wood, gold ground
Cleared · Public Domain
live
The Adoration of the Shepherds
Bartolo di Fredi (d. 1410)
1374 · Tempera on poplar, gold ground
Cleared · Public Domain
live
Panel with the Annunciation
Unrecorded maker
ca. 1390 · Pot-metal glass, colorless glass, and vitreous paint
Cleared · Public Domain
live
Angel of the Annunciation
Unrecorded maker
1430–40 · Mud-wackestone with traces of polychromy
Cleared · Public Domain
live
The Annunciation
Sassetta (Stefano di Giovanni) (d. 1450)
1437–44 · Tempera on wood, gold ground
Cleared · Public Domain
live
Abner's Messenger before David; The Queen of Sheba Bringing Gifts to Solomon; The Annunciation
Master of the Saint Barbara Legend (d. 1499)
ca. 1480 · Oil on oak
Cleared · Public Domain
live
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads (d. 1600)
probably early 16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
live
The Annunciation
Master of the Triptych of Louis XII (d. 1525)
probably early 16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
live
The Adoration of the Shepherds
L'Ortolano (Giovanni Battista Benvenuti) (d. 1527)
late 1520s · Oil on canvas, transferred from wood
Cleared · Public Domain
live
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings
Anonymous Workshop, British
early 17th century · Silk, wool, silver-gilt thread (18-22 warps per inch, 7-8 per cm.)
Cleared · Public Domain
live
The Sense of Sight
Master of the Annunciation to the Shepherds (d. 1645)
1649 · Oil on canvas
Cleared · Public Domain
live
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters (d. 1909)
second half 16th century (panels); ca. 1865–90 (frame) · Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.