
Angel of the Annunciation
Unrecorded maker
1430–40 · Mud-wackestone with traces of polychromy
Cleared · Public Domain
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Where this page got its records
1780 ms. The Metropolitan Museum of Art, Collection API (Open Access)
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,376 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Angel of the Annunciation
Unrecorded maker
1430–40 · Mud-wackestone with traces of polychromy
Cleared · Public Domain
live
The Annunciation (Matins, Office of the Virgin): Leaf from a Book of Hours (1 of 3 Excised Leaves)
Noël Bellemare (d. 1546)
c. 1530–35 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
live
The Annunciation
Sassetta (Stefano di Giovanni) (d. 1450)
1437–44 · Tempera on wood, gold ground
Cleared · Public Domain
live
Madonna and Child
Master of the Lanckoronski Annunciation (d. 1449)
1449 · Tempera and gold on wood
Cleared · Public Domain
live
The Annunciation
South German (Bavarian?) Painter
1440–50 · Oil and gold on linden
Cleared · Public Domain
live
The Annunciation
Petrus Christus (d. 1476)
ca. 1445 · Oil on wood
Cleared · Public Domain
live
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
ca. 1455–60 · Tempera and gold on wood
Cleared · Public Domain
live
Manuscript Leaf with the Annunciation from a Book of Hours
Jean Bourdichon (d. 1521)
ca. 1485–90 · Tempera and shell gold on parchment
Cleared · Public Domain
live
The Annunciation
Gerard David (d. 1523)
1506 · Oil on wood
Cleared · Public Domain
live
The Annunciation
Albrecht Altdorfer (d. 1538)
1513 · Woodcut
Cleared · Public Domain
live
The Annunciation
Master of the Triptych of Louis XII (d. 1525)
probably early 16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
live
The Annunciation
Martin Fréminet (d. 1619)
ca. 1610–15 · Black chalk, pen and brown ink, brush and gray wash, heightened with white. The architectural elements along the upper margin, including the cornice and the coat of arms, were drawn on a separate sheet, silhouetted and laid down.
Cleared · Public Domain
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