Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
1501–47 · Pen and brown ink, brush and gray wash, over traces of black chalk
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
7273 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Results for "The Antechamber of the Sala del Maggior"12 records
Institutions answered newest-first by record, interleaved
Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
ca. 1546 · Pen and brown ink
Cleared · Public Domain
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Paradise
Federico Zuccaro (Zuccari) (d. 1609)
1565–77 · Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with figures of Christ, the Virgin, and St. John the Baptist, measuring 14.0 x 24.0 cm., has been affixed at the center of the drawing.
Cleared · Public Domain
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The Antechamber of the Sala del Maggior Consiglio
Francesco Guardi (d. 1793)
ca. 1765–68 · Oil on canvas
Cleared · Public Domain
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The Ridotto Pubblico at Palazzo Dandolo
Francesco Guardi (d. 1793)
ca. 1765–68 · Oil on canvas
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Giovanni Battistsa Bourbon Del Monte, from Effigie naturali dei maggior prencipi et piu valorosi capitani di questa eta con l'arme loro
Giacomo Franco (d. 1620)
1596 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Divina Sapienza, after the ceiling fresco by Sacchi in the Sala del Mappamondo in the Palazzo Giustiniani, Rome
Michael Noël Natalis (d. 1668)
1642 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ruins of the Xystus (a long open portico used for athletic exercises), the central hall of the Antonine Baths (The Baths of Caracalla)(Rovine del Sisto, o sia della gran sala delle Terme Antoniniane)
Giovanni Battista Piranesi (d. 1778)
ca. 1765 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Baths of Caracalla: Interior of the Central Hall (Rovine del Sisto, o sia della gran sala delle Terme Antoniniane)
Giovanni Battista Piranesi (d. 1778)
ca. 1765 · etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Reception by the Doge of Foreign Ambassadors in the Sala del Collegio, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon (d. 1796)
ca. 1766 · Etching and engraving; second state of four
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: Reception by the Doge of Foreign Ambassadors in the Sala del Collegio, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon (d. 1796)
ca. 1766 · Etching and engraving; second state of four
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: The Doge Returns Thanks in the Sala del Consiglio Maggior, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon (d. 1796)
ca. 1766 · Etching and engraving; second state of four
In copyright
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