
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb
Unrecorded maker
ca. 1180 · Tempera, gold, and ink on parchment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
291 ms. The Metropolitan Museum of Art, Collection API (Open Access)
584 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 106 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb
Unrecorded maker
ca. 1180 · Tempera, gold, and ink on parchment
Cleared · Public Domain
live
The Last Supper
Ugolino da Siena (Ugolino di Nerio) (d. 1327)
ca. 1325 · Tempera and gold on wood
Cleared · Public Domain
live
The Last Supper
Netherlandish (Antwerp Mannerist) Painters
1515–20 · Oil on wood
Cleared · Public Domain
live
The Last Supper
Jan Muller (d. 1628)
1594 · Engraving printed from three plates on three sheets; New Holl.'s first state of three
Cleared · Public Domain
live
The Political Death and Last Will and Testament of Johnny Mac-Cree
Thomas Rowlandson (d. 1827)
April 28, 1805 · Hand-colored etching
Cleared · Public Domain
live
The Antiquary's Last Will and Testament (The English Dance of Death, plate 2)
Thomas Rowlandson (d. 1827)
April 1, 1814 · Etching and aquatint with watercolor
Cleared · Public Domain
live
The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2)
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
live
The testament and last words of Marie Antoinette
Anonymous
1793–1819 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Last Day, the Sea Will Be Master
Helen West Heller (d. 1955)
1923 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Supperware
Howard Kottler (d. 1989)
ca. 1969 · Porcelain, decals
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Straw
Coille Hooven (d. 2024)
1974 · Porcelain
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Glacier
Todd Anderson
2015 · Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.