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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    291 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    584 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 106 matching records exist across the two collections.

Results for "The Antiquary's Last Will and Testament"12 records

Institutions answered newest-first by record, interleaved

Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb

Unrecorded maker

ca. 1180 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
The Last Supper by Ugolino da Siena (Ugolino di Nerio), The Metropolitan Museum of Art

The Last Supper

Ugolino da Siena (Ugolino di Nerio) (d. 1327)

ca. 1325 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Last Supper by Netherlandish (Antwerp Mannerist) Painters, The Metropolitan Museum of Art

The Last Supper

Netherlandish (Antwerp Mannerist) Painters

1515–20 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Last Supper by Jan Muller, The Metropolitan Museum of Art

The Last Supper

Jan Muller (d. 1628)

1594 · Engraving printed from three plates on three sheets; New Holl.'s first state of three

Cleared · Public Domain

live
The MetSimilar
The Political Death and Last Will and Testament of Johnny Mac-Cree by Thomas Rowlandson, The Metropolitan Museum of Art

The Political Death and Last Will and Testament of Johnny Mac-Cree

Thomas Rowlandson (d. 1827)

April 28, 1805 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Antiquary's Last Will and Testament (The English Dance of Death, plate 2) by Thomas Rowlandson, The Metropolitan Museum of Art

The Antiquary's Last Will and Testament (The English Dance of Death, plate 2)

Thomas Rowlandson (d. 1827)

April 1, 1814 · Etching and aquatint with watercolor

Cleared · Public Domain

live
The MetSimilar
The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2) by Thomas Rowlandson, The Metropolitan Museum of Art

The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2)

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The testament and last words of Marie Antoinette by Anonymous, The Metropolitan Museum of Art

The testament and last words of Marie Antoinette

Anonymous

1793–1819 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Last Day, the Sea Will Be Master

Helen West Heller (d. 1955)

1923 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Supperware

Howard Kottler (d. 1989)

ca. 1969 · Porcelain, decals

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Straw

Coille Hooven (d. 2024)

1974 · Porcelain

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Glacier

Todd Anderson

2015 · Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.