Saint Paul
Claus de Werve (d. 1439)
ca. 1420–30 · Limestone with traces of paint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
486 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 176 matching records exist across the two collections.
Results for "The Apotheosis of Saint Vincent de Paul"12 records
Institutions answered newest-first by record, interleaved
Portable Reliquary of Saint Vincent
Unrecorded maker
ca. 1400, with later terminals · Translucent enamels on silver, wood
Cleared · Public Domain
liveThe MetSimilar
Studies for "The Conversion of the Jailer before Saint Paul and Silas"
Nicolas de Plattemontagne (d. 1706)
1666 · Red, black, and white chalks
Cleared · Public Domain
liveThe MetSimilar
The Chapel of the Enfants-Trouvés in Paris: Saint Vincent de Paul
Etienne Fessard (d. 1777)
1756 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
Scenes from the life of St. Vincent de Paul
Unrecorded maker
ca. 1818 · Cotton
Cleared · Public Domain
liveThe MetSimilar
Saint Cloud; Study for the frieze at Saint-Vincent-de-Paul, Paris
Hippolyte Flandrin (d. 1864)
1835–64 · Red chalk on tracing paper; lined
Cleared · Public Domain
liveThe MetSimilar
Corridor in the Asylum
Vincent van Gogh (d. 1890)
September 1889 · Brush and oils over black chalk on pink laid paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Conversion of Saint Paul
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; second state of two (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Conversion of Saint Paul
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; first state of two (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Apotheosis of Saint Vincent de Paul
Andrea Bolzoni (d. 1760)
1733 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Poet Robert de Montesquiou
Paul-Albert Besnard (d. 1934)
1889 · Etching; sixth state of six
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Church of St. Vincent de Paul
O. Louis Guglielmi (d. 1956)
1930 · Oil on canvas
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.