
The Arch of Constantine, Rome, from "Speculum Romanae Magnificentiae"
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1514–36 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
612 ms. The Metropolitan Museum of Art, Collection API (Open Access)
484 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 313 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Arch of Constantine, Rome, from "Speculum Romanae Magnificentiae"
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1514–36 · Engraving
Cleared · Public Domain
live
Arch of Constantine, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving and etching
Cleared · Public Domain
live
Arch of Constantine, from "Speculum Romanae Magnificentiae"
Anonymous
1583 · Engraving and etching
Cleared · Public Domain
live
Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century (d. 1600)
1583 · Etching with engraving
Cleared · Public Domain
live
View of the Colosseum and the Arch of Constantine from the Palatine
Charles Rémond (d. 1875)
ca. 1822–24 · Oil on paper, laid down on canvas
Cleared · Public Domain
live
Figures from the Arch of Constantine, after Perrier
Eugène Delacroix (d. 1863)
ca. 1822–26 · Pen and brown ink
Cleared · Public Domain
live
Bas Relief from the Arch of Constantine, Rome
Frédéric Flachéron (d. 1883)
1849 · Paper negative
Cleared · Public Domain
live
Bronze, Constantine I, 323 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
William S. Kimball & Company
1888 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Constantine, from "Italian Sixteenth Century Arches and Portals and Altars - Veneziano and Others"
Agostino Veneziano (Agostino dei Musi) (d. 1536)
ca. 1514–36 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partial Views of the Colosseum and the Arch of Constantine
Stefano della Bella (d. 1664)
ca. 1644–46 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Constantine, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Constantine Seen from the Colosseum
Lancelot Théodore Turpin de Crissé (d. 1859)
1818–38 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.