Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    135 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "The Arch of Septimius Severus, tome 1, t"4 records

Institutions answered newest-first by record, interleaved

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Arch of Septimius Severus, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century (d. 1600)

1583 · Etching with engraving

Cleared · Public Domain

live
The MetSimilar
Plate 13: Arch of Settimius Severus 1. Temple of Concord. 2. Ascent to the Capitoline Hill (Arco di Settimio Severo. 1. Tempio della Concordia. 2. Salita di Campidoglio.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Plate 13: Arch of Settimius Severus 1. Temple of Concord. 2. Ascent to the Capitoline Hill (Arco di Settimio Severo. 1. Tempio della Concordia. 2. Salita di Campidoglio.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Septimius Severus, tome 1, tavola 31, figure 2 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.