Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    267 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    366 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "The Arch of Titus, from Antiquitatis ae"12 records

Institutions answered newest-first by record, interleaved

The Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

ca. 1540–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus) by Hieronymus Cock, The Metropolitan Museum of Art

View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)

Hieronymus Cock (d. 1570)

1551 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

1558 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi (d. 1778)

ca. 1748 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Titus, from Antiquitatis aestimator et styli, a set of 9 plates of Roman ruins

Jan (Gerritsz.) van Bronchorst (d. 1665)

ca. 1636–1661 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus, tome 1, tavola 34, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arc de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Titus from 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi (d. 1778)

ca. 1760 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus (with Villa Farnese to the left), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Arch of Titus, which was erected for this Emperor, after his death, commemorating the destruction of Jerusalem, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of five (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of Titus, Villa Farnese, Columns of the Temple of Jupiter Stator [the Supporter], Arch of Septimius Severus, and the Temple of Peace, tavola 7 from "Alcune Vedute di Archi Trionfali ed altri monumenti analzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Giovanni Battista Piranesi (d. 1778)

printed after 1775 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.