The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1750 · Etching
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
193 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 220 matching records exist across the two collections.
Results for "The Arch of Titus from 'Vedute di Roma'"12 records
Institutions answered newest-first by record, interleaved
The Theatre of Marcellus (Teatro di Marcello), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1757 · Etching
Cleared · Public Domain
liveThe MetSimilar
The Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Settimio Severo), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1759 · Etching; first state
Cleared · Public Domain
liveThe MetSimilar
The Arch of Titus (Veduta dell'Arco di Tito)
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · Etching
Cleared · Public Domain
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View of the Piazza di monte Cavallo, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi (d. 1778)
ca. 1773 · Etching; first state of four (Hind)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Column of Marcus Aurelius upright (Colonna Antonina), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1758 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temple of Antoninus and Faustina (Veduta del Tempio di Antonino e Faustina in Campio Vaccino), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1758 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Constantine and the Colosseum (Veduta dell'Arco di Costantino e dell'Anfiteatro Flavio detto il Colosseo), from "Vedute di Roma"
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch of Titus from 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Constantine, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Titus (with Villa Farnese to the left), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Baths of Titus (Baths of Trajan), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveThe MetSimilar
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