
Landscape with Figures and a Two-Arched Bridge
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1591–1666 · Pen and dark brown ink, some brush and dark brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
190 ms. The Metropolitan Museum of Art, Collection API (Open Access)
272 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 89 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Landscape with Figures and a Two-Arched Bridge
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1591–1666 · Pen and dark brown ink, some brush and dark brown ink
Cleared · Public Domain
live
A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne
Caspar Wolf (d. 1783)
ca. 1775 · Watercolor and pencil; framing lines in black ink
Cleared · Public Domain
live
The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; third state of four
Cleared · Public Domain
liveGessate in the Province of Milan
Camille Corot (d. 1875)
1834 · Pencil on off-white wove paper
Cleared · Public Domain
live
L-3 Archtop Guitar (serial no. 32544)
Gibson Mandolin-Guitar Manufacturing Co., Ltd. (d. 9999)
1917 · Spruce, maple, mahogany, ivoroid, mother-of-pearl, nickel silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (pencil drawing #1)
Ursula Fookes (d. 1991)
ca. 1930 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (pencil drawing #2)
Ursula Fookes (d. 1991)
ca. 1930 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (pencil drawing #3)
Ursula Fookes (d. 1991)
ca. 1930 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (watercolor drawing #2)
Ursula Fookes (d. 1991)
ca. 1930 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (watercolor drawing #3)
Ursula Fookes (d. 1991)
ca. 1930 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arched Bridge (watercolor drawing)
Ursula Fookes (d. 1991)
ca. 1930 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Staten Island #3
Siah Armajani (d. 2020)
1997 · Colored pencil, crayon, graphite and ink on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.