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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1953 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    270 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 820 matching records exist across the two collections.

Results for "The Architectural Remembrancer: Being a"12 records

Institutions answered newest-first by record, interleaved

Terracotta architectural tile by an unrecorded maker, The Metropolitan Museum of Art

Terracotta architectural tile

Unrecorded maker

6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Rattle bowl with flying figure (Oculate Being) by Paracas artist(s), The Metropolitan Museum of Art

Rattle bowl with flying figure (Oculate Being)

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
Rattle bowl with flying figure (Oculate Being) by Paracas artist(s), The Metropolitan Museum of Art

Rattle bowl with flying figure (Oculate Being)

Paracas artist(s)

350 BCE–60 CE · Ceramic, post-fire paint

Cleared · Public Domain

live
The MetSimilar
Fragment of a Frieze by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Frieze

Unrecorded maker

11th century · Terracotta; carved, painted

Cleared · Public Domain

live
The MetSimilar
Dipak Raga: Folio from a Ragamala Series (Garland of Musical Modes) by an unrecorded maker, The Metropolitan Museum of Art

Dipak Raga: Folio from a Ragamala Series (Garland of Musical Modes)

Unrecorded maker

1630–40 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Susanna and the Elders (recto); Architectural design and other scribbles (verso) by Giovanni Battista Pittoni, The Metropolitan Museum of Art

Susanna and the Elders (recto); Architectural design and other scribbles (verso)

Giovanni Battista Pittoni (d. 1767)

ca. 1720 · Red and black chalks

Cleared · Public Domain

live
The MetSimilar
A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background by Johannes Antiquus, The Metropolitan Museum of Art

A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background

Johannes Antiquus (d. 1750)

1726–50 · Black chalk, pen and gray ink, with gray wash; framing line in black ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Architectural Remembrancer: Being a Collection of New and Useful Designs of Ornamental Buildings and Decorations for Parks, Gardens, Woods, &c .

Robert Morris (d. 1754)

1751 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Anniversary Sermon, preached in the Parish Church of St. Mary, Newington Butts, in Surry; on Whitsunday, 1769; Being the Sequel to that Occasioned by the Murder of Mr. William Allen the Younger, on the Bloody Tenth of May, 1768; and Published at the Request of his Friends as a Remembrancer, to prevent the Continuation of Political Murder

John Free (d. 1791)

1769 · Text only: letter press

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Architectural element with male figure

Bamum artist

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Being With (Être Avec)

Roberto Matta (d. 2002)

1946 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Architectural element with female figure

Bamum artist

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.