Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Open the docket Star on GitHub

Where this page got its records

The Metlive
169 ms. The Metropolitan Museum of Art, Collection API (Open Access)
Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 34 matching records exist across the two collections.

Results for "The Arkansas Traveller, Scene in the Bac"12 records

Institutions answered newest-first by record, interleaved

Roma travellers outside an inn; a scene of fortune-telling in the mid-ground [historically known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)]

Jacques Callot (d. 1635)

1621–22 · Etching and engraving; second state of two (Lieure)

Cleared · Public Domain

live

The MetSimilar

Roma travellers outside an inn; a scene of fortune-telling in the mid-ground [historically known as La Halte des Bohèmiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)]

Jacques Callot (d. 1635)

1621–22 · Etching and engraving; second state of two (Lieure)

Cleared · Public Domain

live

The MetSimilar

Roma travellers outside an inn; a scene of fortune-telling in the mid-ground [historically known as La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)]

Jacques Callot (d. 1635)

1621–22 · Etching and engraving; second state of two (Lieure)

Cleared · Public Domain

live

The MetSimilar

The Good Samaritan

Rembrandt (Rembrandt van Rijn) (d. 1669)

1633 · Etching, engraving and drypoint; first state of four

Cleared · Public Domain

live

The MetSimilar

Kyōka: The Mist of Sandara (Kyōka Sandara-kasumi)

Senshūan Sandara Hōshi (d. 1814)

1798 (Kansei 10) · Woodblock printed book; ink and color on paper

Cleared · Public Domain

live

The MetSimilar

A Village Street: Dardagny

Camille Corot (d. 1875)

1852, 1857, or 1863 · Oil on canvas

Cleared · Public Domain

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roma travellers outside an inn; a scene of fortune-telling in the mid-ground

Jacques Callot (d. 1635)

early 17th century · Etching and engraving; second state of two (Lieure)

In copyright

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Roma travellers outside an inn; a scene of fortune-telling in the mid-ground

Jacques Callot (d. 1635)

early 17th century · Etching and engraving; second state of two (Lieure)

In copyright

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arkansas Traveller, Scene in the Back Woods of Arkansas

John Cameron (d. 1896)

1870 · Hand-colored lithograph

In copyright

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Turn of the Tune, Traveller Playing the "Arkansas Traveller"

John Cameron (d. 1896)

1870 · Hand-colored lithograph

In copyright

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Parade

Jane Peterson (d. 1965)

ca. 1917–19 · Gouache, watercolor, charcoal, and graphite on gray wove paper

In copyright

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

America Today

Thomas Hart Benton (d. 1975)

1930–31 · Ten panels: Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior

In copyright

live

The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.